本次展览”梦游”包括商徐宏的两个绘画系列作品：“几乎”和
“月光”。它让我们有机会探视艺术家如何以绘画作为媒介所进
行的概念艺术。
“几乎”系列于2010年开始创作。丙稀颜料直接涂在画布背面、
并在正面渗透出来，其效果与观众产生互动和视觉的共。它让观
众动用自我的经验及期待从而获得不同的感悟。无论是视觉的真
实性与菲真实性、空间距离的近或远、或在天地之间的升华，画
面的最终完成将取决于观众的内心认知。
“月光”系列完成于2010年。作品运用了写实的绘画手法描绘月
食现象并与剪破的画布作出强烈的视觉对比，在充满诗意的月光
与撕破画布的粗暴的两者之间产生张力。作品所表现的是以种语
境性的分歧，其带来的是一种危机感，以及提出超越常理的争论
－探讨我们赖以生存的宇宙。 |
The exhibition Sleepwalk includes two of Xuhong Shang’s recent
painting series Virtual and The Moonbeam. It greatly examines
Shang’s conceptual art materialized in the medium of painting.
Virtual series starts in 2010, using acrylic paints on the backside
of the canvas to create justifiable images to relate viewers’ own
experience and expectation. Whether being real or unreal, far or
near, in distance or close-ups, and being transcended between
heaven and earth, the imageries in the paintings would only be
perceived and formed by viewers’ knowledge and conception.
The Moonbeam Series was completed in 2010. The paintings use
a narrative style to illustrate moon eclipses to contrast the black
cut-out canvas, and to create tension between the poetically
eclipsed moons and the rudeness of canvas cutting. It presents
a contextualized dichotomy that provides a sense of urgency and
opens a debate that goes beyond our logics. |
